Tan Mu
Gaze: Observable Infinity, 2024
Oil on linen
40 x 55 cm (16 x 22 in)
Gaze: Observable Infinity (2024), draws from the concept of the “observable universe,” transforming it into an immersive cosmic experience. At its heart, the painting features a radiant, circular light resembling an eye—a “cosmic iris”—as though the universe itself is gazing back at the viewer. This central focus is encircled by concentric rings of color, gradually fading into darkness, symbolizing both the visible and hidden realms of existence.
Through symbolic colors and abstract forms, Gaze: Observable Infinity transcends visual representation, guiding viewers into a meditative reflection on our shared existence and the unseen structures that connect us. The vast perspective of the cosmos merges with the intimate image of an eye or a halo of collective light, creating a resonance that evokes a hidden structure of information in the microcosmic and macrocosmic worlds. Tan Mu bridges the macrocosmic and the personal, serving as both a meditation on the macrocosm and an exploration of collective human consciousness.
Light emerges from the depths of unknown darkness, carrying hidden information through the flow of time, soon to be revealed—a moment of revelation that Observable Infinity documents. Blending science, spirituality, and collective memory, this painting embodies both reverence for the mysteries of the universe and a deep exploration of shared awareness and interconnectedness. It invites viewers to prompt reflection on our role within a larger, interconnected whole.
Q: What inspired Gaze: Observable Infinity and how does the symbolism of the eye relate to the focus on the observable universe?
Tan Mu: The inspiration came from a map of the observable universe, which struck me as resembling an iris—almost as if the universe itself was gazing back. This concept is profound; it represents only a fraction of the cosmos, limited by light’s reach, and humbles us with the boundaries of our understanding. I wanted to translate this feeling of being observed and interconnected onto the canvas, capturing a “cosmic iris” or a halo of collective light that reflects both our individual and shared existence within vast space. The “iris” in Observable Infinity serves as a metaphor for perception and connection, symbolizing a dual relationship—the universe observing us as we observe it. This eye becomes a powerful bridge between the macrocosmic and the personal, the known and the unknown, embodying our curiosity and quest for meaning while connecting us to something far beyond ourselves.
Q: Can you describe your approach to color and light in this piece and how the process unfolded?
Tan Mu: Color and light are central to creating depth and resonance in this work. I layered colors that transition from warm tones at the center to cooler ones at the edges, creating an effect that feels both expansive and intimate, evoking cosmic mystery and awe. As I painted, the piece came together almost effortlessly, as if it had a life of its own. The colors blended smoothly, and light seemed to naturally radiate from the canvas. I began with a smaller scale to test if the “cosmic iris” would retain its intensity, and I was surprised by how powerful it felt. Even though it’s a small piece, it holds an intense, almost psychedelic energy—like an eye looking back at you, embodying both awe and intimacy.
Q: How does Observable Infinity connect to your broader themes, and what role does technology play in this interpretation of the universe?
Tan Mu: Gaze: Observable Infinity captures my ongoing exploration of connection, continuity, and the relationship between human consciousness and the universe. Technology plays a crucial role here; it extends our senses, enabling us to perceive and map the observable universe. Tools like telescopes and cosmic mapping software help us reach beyond natural limits, reminding us of both our capabilities and our limitations. In this work, I wanted to move beyond a purely scientific view, infusing it with emotion and mystery. Technology and humanity converge—I’m examining what we can observe while also honoring the vast unknown that science alone cannot fully capture. This piece reflects my fascination with the invisible structures that bind us, whether through technology, memory, or shared experience. By blending the cosmic scale with the intimate symbol of an eye, I hope to evoke a sense of wonder and unity, reminding us that we’re all part of something far greater.
Q: In your work, circular and spherical structures similar to those in Gaze: Observable Infinity appear at different scales; how do these structures resonate with the philosophy and concepts in your work?
Tan Mu: From the microscopic to the macroscopic, from the atoms, cells, embryos, MRIs, and logic circuits I depict, to the cross-section of submarine cables, and finally to Observable Infinity, these structures exhibit visual similarity. However, they are not merely formal echoes; conceptually, each structure embodies hidden information. Embryos carry genetic and hereditary data, the brain encapsulates personal memories transmitted through neural pathways, the cross-section of submarine cables holds collective human knowledge and emotion, and the observable universe conceals the mysteries of the cosmos. As for me, these structures form the framework of a "conceptual universe," organizing relationships across different levels into a dynamic, structured spatial system. These form-like structures that encase and convey information symbolize the profound relationships and interconnections between different dimensions. Through this framework, we can capture the intricate interplay of language, data, and even memory, delving deeper into the connections between human cognition and the hidden structures that bind us.